Dealing with the Issue of Cliffhangers
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Being an author means you risk being rebuked for your writing. It is like the old adage says, ‘If you can’t stand the heat, stay out of the kitchen.’
Recently one of my books, Bishop’s Gate, received a 2-star review after the reader took exception to my use of cliffhangers.
“Two stars because after reading two books, Queen Gambit and Bishops Gate, I realize the stories are never finished but continued on in a ploy to sell more books. Too bad, I really like the writing style but I hate and detest carry on stories. Won’t buy anymore by this author.”
I felt bad for two reasons. First, I apparently lost a reader, and second, it was obvious that the reader enjoyed my writing. To be fair, all authors want to sell more books. After all, it is a profession, albeit one that pays rather poorly for the vast majority of us. But it caused me to question my writing style and whether I should change it.
Long before I ever became an author, I was an avid reader and viewer. I enjoyed being transported from reality. One thing I took away was the fact that, just as in life, events are rarely stagnant. One of the pivotal moments in my appreciation of the uncertainty of life occurred when I went to see Star Wars in the summer of 1977. While there was a certain resolution to the storyline, spoiler: the rebels won, there was also a degree of ambiguity, since the antagonist, Darth Vader, is observed in retreat.
In 1980, this point was driven home with the release of The Empire Strikes Back. At the end of TESB, I was left with more questions than answers and a sense of how could something so good, go so wrong, so fast? The rebellion was bloodied, Luke lost a hand and learned a terrible secret, and Han was in the clutches of Boba Fett. Movies weren’t supposed to end this way and I wasn’t alone in my feelings. Judith Martin of The Washington Post criticized the film's middle-of-the-story plot, which she claimed had no particular beginning or end.
But, that’s exactly what George Lucas had envisioned.
To say that TESB had a profound impact on me would be a gross understatement. It caused me to re-think the whole premise behind storytelling. I began looking at the television series’ I habitually watched and came to understand that almost all of them had cliffhangers. I realized that life was not so cut and dry; that good didn’t always triumph over evil. It also made me understand that life, even literary ones, were constant. Not that I don’t appreciate a good standalone book, that literally ends with, The End, it’s just that I know there is more.
When I sat down to write my debut novel, Perfect Pawn, I had the idea of a story, but as the book progressed I realized that, 1) I like the characters, and 2) I wanted to write more. Perfect Pawn went beyond the traditional word count in my genre, but I knew there was much more to the story. So, while there was a certain level of resolution, I was already looking ahead to book two, in order to advance the plot.
Readers must understand that, like George Lucas, I have a vision in my head. This is the story of James Maguire and the cliffhangers serve a purpose. In the beginning, we learn that Maguire is a former Navy SEAL and a retired NYPD detective, but that changes in book two, and there are more changes as the storyline progresses. I know where the series is going and my wish is that you will stay for the ride. This is a series, and there are things touched on in one book, that will seem insignificant, but will make much more sense later on. There are a lot more twists and turns ahead.
To quote Commander Richard Marcinko, U.S. Navy SEAL (Retired), ‘Pay attention, you will see this material again.’
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