Corona Virus Quarantine – Day:……. Who Knows?

Well, I got up today and realized it’s the 67th day of Femarpril, or whatever the hell month we are in right now, and it has been about two months since I posted my last blog entry.  I figured now was as good a time as any to let you know that I am alive and well, having survived the great toilet paper skirmish of 2020.

These last few weeks have proved to be an eye opening experience for me, as I have learned that my lifestyle apparently has a name: Self Quarantining. Who knew? I also realize that with the number of people posting photos of their alcohol supply, and having gone through just about every Netflix show in existence, I have a feeling that the wild nights of quarantine are going to be replaced with the raucous sound of babies crying in December. Introducing the next defined baby group: Coronials!!

One benefit of being an author is that we create our own little worlds, so if the one we are living in isn’t working for us, then we just move on. I’ve spent the last few months re-editing & re-publishing some previous novels: Perfect Pawn, Queen’s Gambit, Small Town Secrets (which also got a new cover re-design), Bishop’s Gate, Cold Case: The Katherine White Murder, and have Little Boy Lost in final review. I’m gradually making my way through my old backlist to polish up my prior books.  My goal is to give the reader the best possible product for them to enjoy.

Along the way, I’ve written a new novel which I hope to get out this summer. I’d hoped to release it in winter 2019, but there was just something missing and I didn’t want to force it. I’ve also penned an outline for a new Angelo Antonucci Cold Case novella and the outline for the next Alex Taylor novel.

So that’s what has been happening on my home front. I truly wish you all the best during this chaotic and uncertain time. Just remember, nothing lasts forever and each day is one day closer to the end of this nightmare. Until then, sit back, grab something to drink, and enjoy a good book. Chances are it will be a better world than the one we are living in right now.

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Best wishes, Stay Safe, & God Bless.

Andrew

RE-RELEASE: NEW EDITION OF SMALL TOWN SECRETS

In 2014, I released Small Town Secrets. The novel introduced Alex Taylor, a former NYPD sergeant and James Maguire’s old partner, who had lost her law enforcement career because of her drinking problem.

With Maguire’s help, she got the job as chief of police in the idyllic New Hampshire town of Penobscot. What should have been an easy assignment soon takes a dark turn when the body of a young woman is pulled from Lake Moriah.

As part of my introspection tour, I have been going over my previous works and doing a re-edit; fine tuning each book for the reader’s enjoyment. I recently re-released the newly edited edition of my 2nd Maguire novel, Queen’s Gambit. For Small Town Secrets, I not only re-edited the book, but also re-deigned the cover. While the substance of the book remains unchanged, I believe the newly edited edition enhances the reading experience.  

If you are looking to delve into a police procedural series featuring a tough-as-nails female protagonist, then consider giving Small Town Secrets a read.

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Dealing with the Issue of Critical Reviews

Being an author means you have to constantly question and reevaluate your writing, especially when it is based on reader feedback and reviews. If you don’t, then you risk committing the same mistakes going forward. Acting on constructive criticism, even when it bruises your ego, can mean the difference between staying a mediocre author and becoming a great one.

Bad reviews are part of the game and you have to learn how to deal with them. The truth is your book will not be a perfect fit for every reader. I know I have read some books I considered a challenge to finish. The thought of leaving a bad review didn’t cross my mind because I felt that it was a personal thing. Just because I didn’t connect with the book, didn’t mean others wouldn’t. I look at James Patterson’s first Alex Cross novel, Along Came a Spider, which has more 1-star reviews than all reviews combined of my debut novel, Perfect Pawn.

I have had some scathing reviews in the past about my editing, or lack thereof, such as this one 1-star review:

‘The author has a message and a knack for plot. Unfortunately, what he doesn't have is an editor.’ 

I liked the first part, but inwardly cringed on the second. Interestingly enough, the aforementioned Patterson book also got slammed in a review for grammar and typos. Being compared to James Patterson wouldn’t be a bad thing, except in this case.

I will not lie, a bad review hurts; a lot. You can’t help but take it personally. It’s the literary equivalent of someone saying your child’s ugly.

I’d like to say they were wrong, but the reality is they were right. The problem with being an indie author is that the vast majority of the time you are it. This means, besides writing, you also wear a multitude of other publishing hats. I don’t believe the average reader understands the financial costs of publishing your books, not that this is an excuse, but it is a legitimate roadblock for many indie authors.

Consider the following:

A ballpark estimate for an editor will run an author about $1000 - $1500. They can expect to pay about $250 + for a book cover. If they lack the skill, formatting your e-book and print edition can run another $200 to $300 dollars. These are all ballpark estimates, but, as you can see, the numbers add up quickly. That does not count advertising, which is crucial if you want to reach an audience that will generate sales. Depending on genre, that can run anywhere from $500 to $1000 per month, per advertising outlet.

Realistically speaking, the average cost for an indie author to publish their novel will be in the $2k range, not including advertising. This also does not reflect the author’s writing time. I know that my first book took a year to write. How much value do you place on that?  How many people would be willing to dedicate a year or more of their life without the expectation to get paid? Apparently we writers are a masochistic lot.

In all likelihood, an author will have to sell nearly 1k e-books just to break even on the initial production costs. I can tell you from experience that, without the help of ads, that milestone will take years to achieve.

Indie authors have a much tougher slog to achieve their literary dreams than legacy house authors, but that doesn’t mean we cannot accomplish it. It just takes more time and creativity.

I recently took a hard look at my earlier works. After doing re-reads, I can tell you I was dismayed to find that many of the more critical reviews were accurate. While the stories themselves are great, the literary errors could dampen the reading experience, especially for critical readers. As a result, I went back and began to re-edit my catalog of books.

 At present, I have re-edited and re-published: Perfect Pawn and Queen’s Gambit, the first two books in the James Maguire series. I have also completed the re-edit of Small Town Secrets, book one in the Alex Taylor series, and I hope to have this book re-published next month, with an updated cover. I am almost finished with the re-edit of Bishop’s Gate. As I re-publish each book I will make an announcement when it is available.  

My goal for 2020 is to give the reader the best literary experience I can by re-editing all of my books in chronological order. It’s the best I can do, unless someone out there knows Henry Cavill, of Netflix’s Witcher fame, and can get him interested in playing the part of James Maguire (Yes, he was the inspiration from the beginning).

Once again, thank you for your continued support. If you love my books leave a review, if you have issues please let me know.

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Winter 2019 – Update

Where have I been? It’s a question I often ask myself these days.

If you’re like me, this time of year can be quite hectic on the best of days, but being an author means that you have even more going on.

So far this Fall / Winter season I have done a complete re-edit of my debut novel, Perfect Pawn. I’d taken a hard look at it and decided that, since I have grown as a writer, I needed to focus on making it the best it could be. I believe the current edition meets those requirements without taking away from the overall story-line.

Since then, I have kept busy. I’ve completed the re-edits on the follow-up book, Queen’s Gambit, and hope to have that re-released later this month or the early part of January 2020. I’m also currently re-editing the first Alex Taylor novel, Small Town Secrets, and hope to have a re-launch of that book with a new cover.

I also decided to write a new book. This one marks my journey into a new genre: Supernatural, but I haven’t completely abandoned my origins. I took an idea and weaved it into a police procedural/mystery story. It was fun crafting the story-line, and I believe readers of both genres will find something to enjoy. At this time I am shooting for a release date in early 2020.

Speaking of 2020, with the release of the 5th Maguire novel, Glass Castle, I will be starting work on the 4th Alex Taylor novel. I’ve been busy doing the outline and I have about 6 chapters already fleshed out.

So there you have it, the goings on in the chaotic world of this writer. I hope that all of you have had a wonderful Thanksgiving and I extend my best wishes for a blessed Christmas.

See you in the New Year!

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Throwback Thursday - Behind the Scenes (NYPD ESU)

Readers of my books know that I reference a lot of different places and agencies. So today I am continuing the theme of Throwback Thursday, the 2nd in the on-going series, by introducing you to what I consider the preeminent unit within the NYPD; the Emergency Service Unit. In my second book, Queen’s Gambit, ESU plays a pivotal role in the hunt for terrorists threatening NYC.

The saying goes in New York City: ‘When a civilian needs help they call 911, but when a cop needs help they call ESU.’

 In 1964, the Philadelphia Police Department established what became known as the first official Special Weapons and Tactics (SWAT) team in the United States. Three years later, the Los Angeles Police Department launched their SWAT team. These were the first units dedicated to specifically addressing escalating violence in urban areas. Without taking anything away from these two premier agencies, in my opinion they were about four decades late to the party.

In 2015, after five years of research, I wrote: Uncommon Valor, a history of the insignia of ESU. It was my goal to record not only the insignia of this acclaimed unit, but also the rich history. I was deeply honored when Police Commissioner William Bratton called me to say that he was having this book included at the NYPD Police Academy library.

The origins of the modern ESU date back to 1925, when NYPD Police Commissioner Richard Enright, created the Police Emergency Automobile Squad. This unit arose out of the need to address changes in the growing urban landscape in New York City.  A steadily growing population, coupled with increases in urban construction and a diversifying system of transportation, began to present new issues that the regular patrol officers simply could not begin to handle effectively. Officers were now being forced to contend with a myriad of issues, such as gas leaks, pedestrians being run over by vehicles or falling from elevated train lines, and horses that would fall into open construction sites. It soon became obvious that there was a need to have a specialized unit, which would be available to respond to the new type of emergency situations that New York City was beginning to face. 

On November 3rd, 1926, the officers of Emergency Service engaged in their first major gun battle when NYC mobster, Herman ‘Hyman’ Amberg, who was in jail for the murder of a local jeweler, attempted to escape from the old ‘Tombs’ jail on Centre Street, along with two other prisoners. Pistols had been previously smuggled into the jail for the three men. They faked illnesses so that they would be brought to the jail doctor. Once inside the doctor's office, they pulled their guns and attempted to escape. Newly assigned Warden, Peter Mallon, heard the commotion and came running to stop the escape. He was shot and killed as he entered the office. The three inmates then fled into the prison courtyard, near the Lafayette Street gate, where they exchanged shots with Keeper (the former title for Corrections Officer) Jeremiah Murphy and his partner, Daniel O’Connor. Keeper Murphy was killed and his partner was wounded.

Emergency Service responded and engaged the inmates from nearby buildings, raking the jail from all sides with heavy machine gun fire and gas bombs.  The gun battle at the Tombs went on for thirty minutes, with hundreds of rounds being fired. Amberg and the other two inmates hunkered down behind a pile of coal in the yard, before making their way to the safety of a guardhouse. They occasionally returned fire, wounding a police officer and a businessman in the Conklin Building across the street. At some point, two of the inmates were shot and wounded. With no escape possible, all three committed suicide. 

Over the decades, the role of the Emergency Service Unit has continually evolved. While they still respond to all major disasters, they have become the tip of the spear in the response to terrorism. On September 11th, 2001, of the twenty-three members of the NYPD killed on that day, fourteen were members of ESU. Sadly, in the years since, a number of members have succumbed to 9/11 related illnesses from the toxins they ingested during the rescue & recovery efforts.

In addition to its traditional role, ESU also provides Counter Assault (CAT) / Counter Sniper (CS) Team’s for major events and dignitary protection details. Like the NYPD’s Intelligence Division, ESU works hand in hand with their counterparts in the United States Secret Service and is part of the protection details for presidential motorcades and venues.

The motto of the NYPD ESU has always been: ‘Anytime, Anywhere, Any Place’.

If you have ever watched a newscast, concerning any major event in NYC, it is almost certain that you will see the familiar vehicles of the ESU. Contained within these trucks is a variety of equipment to handle any type of incident. When confronted with a situation they have never encountered before, they will find a way to perform the impossible.

The men & women of ESU are the epitome of the title: NY’s Finest.

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Photo courtesy of Tom O’Connor (NYPD ESU - Retired)